From teenage ballerina to an actress trained by director, Martin Landau. Chloé Treend, has appeared in a series of roles and comedy sketches ranging from The Elgar Jigsaw (directed by Ken Russell) to Harry and Cosh (directed by Dan Peacock), as well as appearing in films such as Vanity Fair (directed by Mira Nair), My Summer with Des, Legionnaire, & theatre roles including the recent experimental performances of "The Scream of Antonin Artaud" by David Papava.
Chloé's multi-faceted versatility means she is able to effortlessly adopt numerous accents & personas, ranging from Received Pronunciation (RP), American (standard), French, Spanish as well as British regional accents such as Cockney, Essex, West Country & Yorkshire.
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Miss Treend is of the new breed of actress capable of playing dynamic and adventurous, action movie roles. She is a talented stage fighter and maintains her athleticism through her martial arts training, ballet and rock climbing. (Black Belt in Choi Kwang Do, Brown Belt in Shaolin Kung Fu). Not surprisingly she is comfortable at most sports.
Chloé's striking appearance has also led to her appearing in many featured commercials around the world (including such well known commercials as those for Guinness, BT and Reebok), as well as photographic modelling, and fashion assignments.
Chloé has been a successful singer/songwriter for the past 7 years, reaching triple platinum sales in Australia whilst signed as "T-Shirt" to Warner Records.
Chloé's very early training with Leo Kersley and the Harlow Playhouse, led to her studying at the World famous Ballet Rambert, leading to her performing in productions spanning Swanilda in Coppelia, the Lilac Fairy in Sleeping Beauty, Giselle, Swan Lake, The Nutcracker, and Carmina Burana, diversifying into performing internationally at award ceremonies such as MTV, The Brits, stadium gigs in India and Europe, and video and television appaearances all over the world.
With CK Pandora, Chloé has also produced, her own extravangant show/club nights at a top London venue.
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